This crack dip recipe is perfectly named – it really IS totally addicting. Image: One Little Project Totally Addicting 5-Ingredient Crack Dip Serve with a small bowl of marinara sauce for dipping! Find the recipe at One Little Project. With a simple tube of Pillsbury pizza crust, a whole lot of gooey, melted cheese and a few added seasonings, your teen will have a delicious (crazy easy to make) movie night snack that’s perfect for those Netflix nights at home. For a fun movie night they’ll love, pass along these 22 no-hassle movie night snacks they’re sure to enjoy! And, the best part is, most of these recipes are so darn simple that even your “ I don’t have a clue how to cook” teen can whip them up in no time. But pair that movie night with amazing movie night snacks and it only makes the evening that much better!įrom addicting dips and irresistible cheesy breadsticks to perfectly popped popcorn and sweet treats, we’ve rounded up 22 delish movie night snacks for hungry teens (and their friends). "We go where the best deal is.This post: Movie Night Snacks for Hungry Teens There’s nothing more satisfying for our teens than a relaxing Netflix movie night. He probably knows what Bergman, the Selfless producer, will tell you about the likely fate of Hollywood on the bayou. It would have a catastrophic effect." Earlier this year Champagne convinced Governor Bobby Jindal and the legislature to retreat from proposed cuts to the break. "Like any coupon, you have to determine at what point do you tighten it. "This fiscal session was the hardest," says Champagne. It's no surprise he has formed a trade group that lobbied the legislature to keep the credits in place. A local boy who moved back to Louisiana from Los Angeles in 2007 to help the producers of a small horror film navigate the state, he now has 400 trucks (including air-conditioned "eco-friendly" trailers for Hollywood headliners). Andre Champagne, owner of Hollywood Trucks, is one of the biggest boosters. The industry is moving away because it's better elsewhere." "The tax incentive program is like a gill net," says French. French, who comes from a long line of Mardi Gras kings and queens, built a business buying credits from filmmakers and selling them to locals. ![]() ![]() Ray producer Stuart Benjamin whined about the program in the press in 2003, saying he was lured to the state with promises he could easily sell his credits to locals, which proved difficult under the system (though he was eventually able to sell them).Ĭlever money men like Will French saw an opportunity. The initial program offered up to a 35% tax credit but was riddled with caveats. The state's plan to bribe moviemakers dates back to 2002. That's exactly what's happening in Louisiana. "Otherwise you're just creating another division of the public sector." "In order for this to make sense, you have to be building an industry that will eventually stand on its own," says Susan Christopherson, a professor of city planning at Cornell University, who has been studying what the folks in Los Angeles call "runaway production" since the 1980s. In November a new study called on New York to rethink its program after finding that Albany gave away $374 million in film tax credits in 2013-21.5% of all tax credits offered by the state. It's not a break-the-bank number, but it is the kind of price tag that has led a number of states, including Arizona, Wisconsin and Connecticut, to slice programs amid questions of whether they were jump-starting an industry or just fattening filmmakers, with little long-term gain. ![]() Louisiana has been a stand-in for New York, Texas and Pennsylvania.Īccording to the Louisiana Department of Economic Development, putting on this buffet cost the strapped state treasury $168 million in 2012. Movies like Twilight: Breaking Dawn, Green Lantern and 21 Jump Street have been filmed there, as were TV shows American Horror Story and Ravenswood. In 2012 film and TV companies spent $717 million in the state, up 85% since 2010. Producers who once would have needed to bring hundreds of crew members out from Los Angeles can now bring just department heads and hire the rest of the crew locally. Just outside New Orleans producer Herbert Gains turned part of a sprawling NASA complex once used to build space shuttle fuel tanks into a 250,000-square-foot shooting facility where Summit Entertainment recently filmed the sci-fi flick Ender's Game. Intended as a way to draw industry to Louisiana's floundering economy, the result is a giveaway program that's created a gold rush for producers and sharp locals, but probably won't create permanent jobs like a real tax cut might.
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